Mozart- Sacred and Profane Sarastro MacPhail Center, Mpls, MN.
Opera’s Greatest Moments Bass soloist Duluth Festival Opera, Duluth, MN
Trial by Jury Judge Woodbury Community Theater, MN.
The Mikado Pooh-Bah Salt Marsh Opera, Mystic, CT.
Camelot King Arthur Chaska Valley Theater, MN.
La Bohème Colline Akron Opera/Wooster Symphony
La Traviata Dr. Grenvil Fargo-Moorhead Civic Opera
Il Trovatore Ferrando Central WI. Symphony Orch.
Rape of Lucretia Collatinus Ted Mann Theater/University of MN.
Amahl and the Night Visitors Balthazar Theater in the Round- Mpls, MN.
Tosca Angelotti Anoka Opera – Anoka, MN.
The Crucible Reverend Hale Opera 101 Theatre Co. Mpls, MN.
Dido & Aeneas Aeneas Rutgers' Athaneum for Early Music
La Bohème Customs House Guard San Diego Opera
Die Fledermaus Frank Santa Barbara Civic Light Opera
I was a Founding Member of the San Diego Gilbert and Sullivan Company, [S D G & S] later San Diego Comic Opera; and was the resident bass-baritone for a number of years, doing such roles as:
Col. Calverly Patience
Lord Mountararat Iolanthe
Private Willis Iolanthe
Box Cox and Box
King Hildebrand Princess Ida
Sir Richard Cholmondely Yeoman of the Guard
Don Alhambra Gondoliers
I have been extremely fortunate to have known and worked with three former D'Oyly Carte personnel- John Reed, Kenneth Sandford, and Thomas Lawlor- who said to me during the Mikado:
'John, you do G&S better than any American I have ever met.'
“The seasoned singing of John-Scott Moir proved a delight…Moir has an exceptional voice, deep and resonant; [He] also impresses with his movement ability, comic timing and the vocal dexterity to sound so convincing in all his various roles as Pooh-Bah, Lord High Everything Else.”
– from a review of The Mikado.
Lee Howard, The Day, New London, CT.